Digital | Analog: Indifferenz

Riesa Efau Motorenhalle, Dresden, Germany
Curator: Denise Ackermann, Frank Eckhardt
Artists: Jens Besser (D), Joseph Beuys (D), Brandalism (UK), Claudiu Cobilanschi (ROU), Chto Delat (RU), Lex Drewinski (PL), Dugudus (FR), Erinnerungsguerilla (D), Rainer Görß & Ania Rudolph (D), Igor Grubic (HR), Grundeinkommensinitiative (CH), Dies Irae, András Király (HU), Csaba Nemes (HU), Jacek Ponton Jankowski (PL), Reinigungsgesellschaft (D), Mr Sasa, Christoph Schlingensief (D), Klaus Staeck (D), Tobias Stengel (D), Stickermuseum (D), Andreas Ullrich & Matthias Marx (D), Zentrum für politische Schönheit (D)
2015
http://riesa-efau.de/


Breathing Newsbots - Riesa Efau Dresden

Riesa Efau, Dresden


Breathing Newsbots - Riesa Efau Dresden

Riesa Efau, Dresden

Digital // Analog: Indifferenz
Our brain works analog, our DNA digital.
Analog // Digital: Indifference - to risks and effects of the digital on our personal and social existence. And a little bit in reverse as well.

The digital comes from the initial counting with the fingers, is based on the intellectual resources from the analogue world and is determined by it in structure, composition and order.

Is that (still) the case?
Or do digital algorithms already determine us in what we see, where we turn, what we consume, how we communicate or with whom we potentially reproduce?

Digital and analog structures are often regarded as two different worlds. Perhaps this view follows the old occidental tradition of thinking in terms of body-mind dualism. We show their mutual interdependence.

What will be experienced and to be experienced? Analogue lamentations on digital memes, digital packages on the analogue post, balconyization, digital crucifixions and latinization, PAL digital, forgotten passwords and much more.


Exhibited Artwork


Breathing Newsbots

Generative Net-Based Installation

In Breathing Newsbots the latest news from the internet are automatically processed, analysed and projected onto large, transparent and fragile-looking balloons. The process is automated: There is no editorial team behind the selection of content, which is reproduced in a seemingly random sequence in the form of live TV streams, live radio streams, webcam images and text-based headlines, but solely more …